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Lucien Pissarro (1863–1944) was the eldest son of Camille Pissarro and a painter in his own right, trained in the Impressionist tradition by his father and later by Georges Seurat in the Pointillist method before settling permanently in England in 1890 and developing a quietly distinctive vision of the English countryside. In London he founded the Eragny Press — one of the finest private printing houses of the Arts and Crafts movement, producing limited-edition books with his own typeface and woodcut illustrations — while continuing to paint landscapes of a delicate, light-filled lyricism that owes something to both his father's palette and to the English pastoral tradition in which he immersed himself. His work is less confrontational than his father's, more intimate in scale and ambition, but it shares the same fundamental commitment to painting out of doors in honest response to natural light. He is a painter's painter — consistently admired by those who look closely.

The Cottage Garden, Fishpond

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View over the Estuary, Harfleur

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Thistles, le Brusq

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